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      <image:caption>Austen, Blake, and Scott</image:caption>
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      <image:caption>Literary Afterlives</image:caption>
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      <image:caption>Landscape and Ecology</image:caption>
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      <image:title>Home</image:title>
      <image:caption>Media Ecology and Visual Culture</image:caption>
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      <image:title>Home</image:title>
      <image:caption>Stories, Deep Stories, and Conspiracy Theories</image:caption>
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      <image:title>Home</image:title>
      <image:caption>The Feeling of History</image:caption>
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    <loc>https://www.miketgoode.com/about</loc>
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    <lastmod>2021-03-03</lastmod>
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      <image:title>About</image:title>
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  </url>
  <url>
    <loc>https://www.miketgoode.com/engagement</loc>
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    <priority>0.75</priority>
    <lastmod>2021-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607461118126-4B37P45YLQFR8W5EF6N8/Hell%27s+Printing+Press.png</image:loc>
      <image:title>Engagement</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607521997504-4GI8G71XCV349KRWVSMQ/Syracuse+Stage+Baskerville+%281%29.jpg</image:loc>
      <image:title>Engagement</image:title>
      <image:caption>I gave a lecture entitled “Trailing Sherlock Holmes: The Adaptability of a Victorian Icon” for Syracuse Stage’s WEDS@1 series, prior to a performance of Ken Ludwig’s play Baskerville (May 25, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607522019917-OAMNA5TO04FFHFJI6YVU/Syracuse+Stage+Pride+and+Prejudice+%281%29.jpg</image:loc>
      <image:title>Engagement</image:title>
      <image:caption>I lectured on “Jane Austen and Performance” for Syracuse Stage’s WEDS@1 series, prior to a production of Kate Hammill’s play Pride and Prejudice (March 27, 2019).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607522089119-Y9MU0UPM3WRXPERG97JX/WCNY+Sanditon+lecture+%281%29.jpg</image:loc>
      <image:title>Engagement</image:title>
      <image:caption>For WCNY (Syracuse’s PBS affiliate), I gave a lecture and answered questions in conjunction with a special advance screening of Andrew Davies’s Sanditon, a Jane Austen adaptation/continuation (January 8, 2020).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.miketgoode.com/graduate</loc>
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    <priority>0.75</priority>
    <lastmod>2022-04-26</lastmod>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-15</lastmod>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/austen-blake-scott</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
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      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477260147-T3SXM3QBF228NGI2S5MX/Google+Blake+image.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“Google Blake,” Romantic Circles (July 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477297327-GV1TX3IFQFYWZYWERIP6/The+Joy+of+Looking.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“The Joy of Looking: What Blake’s Pictures Want,” Representations, 119 (2012): 1-36.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477557140-4BTMFJBITOODF3JHKB6Q/Blakespotting+alternative+1.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“Blakespotting,” PMLA 121:3 (2006): 769-86.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477481028-O6PR7QY7NS8RP744P34S/Old_book_bindings+black+and+white.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“Boredom and the excitements of history: settling interests, nerves, and narratives in Rob Roy and Northanger Abbey,” Chapter 4 of Mike Goode, Sentimental Masculinity and the Rise of History, 1790-1890 (Cambridge: Cambridge UP, 2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477525531-7JX89U241SRN00MID8L4/Public+and+the+Limits+of+Persuasion.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“The Public and the Limits of Persuasion in the Age of Caricature,” in The Efflorescence of Caricature, ed. by Todd Porterfield (Aldershot: Ashgate Press, 2011).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477580857-8VCU9NQ0PH6Q6VEMRZCA/Dryasdust+Antiquarianism.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“Dryasdust Antiquarianism and Soppy Masculinity: The Waverley Novels and the Gender of History,” Representations 82 (2003): 52-86.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478530662-NZETTPWE7MZ9JNSVIFAK/romantic+capabilities.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media (Oxford: Oxford UP, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607643505746-PNUTKY87ZGZUL6AGIK8M/article+for+sentimental.jpg</image:loc>
      <image:title>Research Areas - Austen, Blake, and Scott</image:title>
      <image:caption>“Morbid antiquaries and vital men of feeling: the gender of history in the Waverley novels,” Chapter 3 of Mike Goode, Sentimental Masculinity and the Rise of History, 1790-1890 (Cambridge: Cambridge UP, 2009)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/literary-afterlives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477783649-TLJ8AHR8H608MM3OZ1HP/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477841251-NZDTSLC72RRYH66NA35C/The+Joy+of+Looking.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“The Joy of Looking: What Blake’s Pictures Want,” Representations, 119 (2012): 1-36.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477986042-0IHIZP4U9784DZ3JHMKW/Knowing+Seizures.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“Knowing Seizures: Julian Barnes, Jean-Paul Sartre, and the Erotics of the Postmodern Condition,” Textual Practice 19 (2005): 149-71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477966342-SJ3EAUG9AFZFA08KYADH/Blakespotting+alternative+1.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“Blakespotting,” PMLA 121:3 (2006): 769-86.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478469130-L25IBDCW9JVY2FIWS30O/romantic+capabilities.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media (Oxford: Oxford UP, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607643556152-KDIQ8WJGYNDUY96WA0ZZ/article+for+sentimental.jpg</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“Uneven manliness and the separate spheres of Victorian history,” in Mike Goode, Sentimental Masculinity and the Rise of History, 1790-1890 (Cambridge: Cambridge UP, 2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607641717320-T9ESO098ZP8HMF2MANBQ/William_Wallace_Mel_Gibson_Statue.JPG</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“The Far Right’s Braveheart New World” (work-in-progress)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/4267a56f-01e8-449e-b5ed-4d93836aa462/Gray+in+Gallery.png</image:loc>
      <image:title>Research Areas - Literary Afterlives</image:title>
      <image:caption>“Penny Dreadful and the Frankensteinian Collection: Archives, Anthologies, and Monstrous Adaptations from Shelley to SHOWTIME,” in Penny Dreadful and Adaptation: Reanimating and Transforming the Monster, ed. by Will Scheibel and Julie Grossman (Palgrave Macmillan, forthcoming 2022).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/media-ecology-visual-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478685691-AJBX5IWN24PVL7V4RK91/romantic+capabilities.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media (Oxford: Oxford UP, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478732956-D2MYH878ST8685TKUX5P/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478794454-CZI0X9LMCWWW731J0V4E/The+Joy+of+Looking.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“The Joy of Looking: What Blake’s Pictures Want,” Representations, 119 (2012): 1-36.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478838389-LTB4WY1M6WJX8CTH95CW/Public+and+the+Limits+of+Persuasion.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“The Public and the Limits of Persuasion in the Age of Caricature,” in The Efflorescence of Caricature, ed. by Todd Porterfield (Aldershot: Ashgate Press, 2011)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479070386-OD31HV37UAYLJM3DF9WO/Blakespotting+alternative+1.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“Blakespotting,” PMLA 121:3 (2006): 769-86.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607643599516-3XVZ1JZF11LGAJD4DZ1K/article+for+sentimental.jpg</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“Reflections in the print shop windows: caricaturing and contesting historical sense in the Revolution controversy,” Chapter 3 of Mike Goode, Sentimental Masculinity and the Rise of History, 1790-1890 (Cambridge: Cambridge UP, 2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/476bc2ea-1c66-4449-af8c-593f482b61cc/Gray+in+Gallery.png</image:loc>
      <image:title>Research Areas - Media Ecology and Visual Culture</image:title>
      <image:caption>“Penny Dreadful and the Frankensteinian Collection: Archives, Anthologies, and Monstrous Adaptations from Shelley to SHOWTIME,” in Penny Dreadful and Adaptation: Reanimating and Transforming the Monster, ed. by Will Scheibel and Julie Grossman (Palgrave Macmillan, forthcoming 2022).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/landscape-ecology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479229433-ZKQN923U1FWUYN2JXMYZ/Mediating+Romantic+Hist+Novels+%281%29.jpg</image:loc>
      <image:title>Research Areas - Landscape and Ecology</image:title>
      <image:caption>“History in Three Dimensions: Panorama, Stereoscopy, and Scott’s Novel Perspective,” Chapter 4 of Mike Goode, Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media (Oxford: Oxford UP, 2020), pp. 99-167.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479261993-O4I8A92WVQ48JES42MNC/Jane+Austen+portrait.jpg</image:loc>
      <image:title>Research Areas - Landscape and Ecology</image:title>
      <image:caption>“Capability Jane: The Ecological Designs of Austenian Realism,” Chapter 6 of Mike Goode, Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media (Oxford: Oxford UP, 2020), pp. 210-50.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479948270-6C5ZYWJI2UHAOVC508NE/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Research Areas - Landscape and Ecology</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/feeling-of-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479830189-WLQOKAMMP6JPK0NGBQMN/Knowing+Seizures.jpg</image:loc>
      <image:title>Research Areas - The Feeling of History</image:title>
      <image:caption>“Knowing Seizures: Julian Barnes, Jean-Paul Sartre, and the Erotics of the Postmodern Condition,” Textual Practice 19 (2005): 149-71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479727823-BR1CY2H0OENG33VMVTVU/Sentimental+Masculinity.jpg</image:loc>
      <image:title>Research Areas - The Feeling of History</image:title>
      <image:caption>Sentimental Masculinity and the Rise of History, 1790-1890 (Cambridge: Cambridge UP, 2009).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479661135-VH3CTHND4XG9HRTGWLGX/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Research Areas - The Feeling of History</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607643669460-KZOCSOQDXRA9EC0O4MNU/Knight_of_the_woeful_countenance_05424u+%281%29.jpg</image:loc>
      <image:title>Research Areas - The Feeling of History</image:title>
      <image:caption>“The Man of Feeling History: The Erotics of Historicism in Reflections on the Revolution in France,” ELH 74:4 (2007): 829-57.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479859742-F1Z59QIDFLZ3H8AYD394/Dryasdust+Antiquarianism.jpg</image:loc>
      <image:title>Research Areas - The Feeling of History</image:title>
      <image:caption>“Dryasdust Antiquarianism and Soppy Masculinity: The Waverley Novels and the Gender of History,” Representations 82 (2003): 52-86.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/research-areas/consipiracy-deep-stories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479948270-6C5ZYWJI2UHAOVC508NE/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Research Areas - Stories, Deep Stories, and Conspiracy Theories</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607641984671-YM4GLZB0SS0NMZUFLAZJ/Old_Bailey.jpg</image:loc>
      <image:title>Research Areas - Stories, Deep Stories, and Conspiracy Theories</image:title>
      <image:caption>“Throwing History Out of Court: Walter Scott, Historiography, and the Law of Conspiracy” (work-in-progress)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607641717320-T9ESO098ZP8HMF2MANBQ/William_Wallace_Mel_Gibson_Statue.JPG</image:loc>
      <image:title>Research Areas - Stories, Deep Stories, and Conspiracy Theories</image:title>
      <image:caption>“The Far Right’s Braveheart New World” (work-in-progress)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607642018987-AAE4ABRKZO8CMBA5UL2T/Union+and+Equivalence+2.jpg</image:loc>
      <image:title>Research Areas - Stories, Deep Stories, and Conspiracy Theories</image:title>
      <image:caption>“Union &amp; Equivalence: Scott’s Accounting for Scotland’s Pacific Trade Scheme” (work-in-progress)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-15</lastmod>
  </url>
  <url>
    <loc>https://www.miketgoode.com/publications/books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607646371508-F1DXQHLK9SXRG9981LTX/Romantic%2BCapabilities%2Bfront%2Bcover%2B%25282%2529.jpg</image:loc>
      <image:title>Publications - Books</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1613595092816-OPTIT4IOQVQTWFE9EFLC/Sentimental%2BMasculinity.jpg</image:loc>
      <image:title>Publications - Books</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/publications/articles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607461109284-G7NSWMYPOHUG4MUW8TKE/William+Blake+grafitti.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“Blakespotting,” PMLA (2006)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1612283146707-7I0CBZ89TNMX9521C5OA/tattoos-fiennes-red-dragon.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“The Joy of Looking: What Blake’s Pictures Want,” Representations (2012)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607477260147-T3SXM3QBF228NGI2S5MX/Google+Blake+image.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“Google Blake,” Romantic Circles (July 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479948270-6C5ZYWJI2UHAOVC508NE/Walter+Scott+Experience+2.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“The Walter Scott Experience: Living American History after Waverley,” in Constellations of a Contemporary Romanticism, ed. by Jacques Khalip and Forest Pyle (Fordham UP, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607479859742-F1Z59QIDFLZ3H8AYD394/Dryasdust+Antiquarianism.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“Dryasdust Antiquarianism and Soppy Masculinity: The Waverley Novels and the Gender of History,” Representations 82 (2003): 52-86.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607478838389-LTB4WY1M6WJX8CTH95CW/Public+and+the+Limits+of+Persuasion.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“The Public and the Limits of Persuasion in the Age of Caricature,” in The Efflorescence of Caricature, ed. by Todd Porterfield (Aldershot: Ashgate Press, 2011)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607481502468-YIHI6SOB721RF8LA50MS/scott+monument+stereoview.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“Mediating Romantic Historical Novels,” Romantic Circles (2008)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1607643029433-E15GNL3S26DHQ2PDFIHX/Knight_of_the_woeful_countenance_05424u+%281%29.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“The Man of Feeling History: The Erotics of Historicism in Reflections on the Revolution in France,” ELH (2007)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfe8e6b1b4eb0b1f0c67e7/1613586481805-NARXTSNREWOSL9BV7NTV/Knowing%2BSeizures.jpg</image:loc>
      <image:title>Publications - Articles</image:title>
      <image:caption>“Knowing Seizures: Julian Barnes, Jean-Paul Sartre, and the Erotics of the Postmodern Condition,” Textual Practice 19 (2005): 149-71.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.miketgoode.com/publications/book-reviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
  </url>
</urlset>

